Project owner: Anne d'Ambrosio de Gaullier. General producer: Jordan Murphy Doidge. Project management: Alexandra Rybakova, Jenya Knyazeva. Art-direction: Misha Gusev, Pavel Bocharov. Service consultant: Eve Ouaknine. Comms Design: Roman Bespalov, Anna Svarovskaya, Ksenia Turubanova.
2022. Client : Wheely

Chauffeur for a Day Service Launch Visuals

This case is about shaping a launch through story, movement, and restraint. I worked on plotting, art direction, and style choices for Wheely’s Chauffeur for a Day service, across a video and a photoshoot, balancing the story, the visuals and the service feature  comms.

At Wheely, operating in the private transportation market, we never treated our service as simple competition within the category. The real reference point was the culture of having a personal chauffeur on payroll. There’s nothing outdated or wrong with that model. We offer a more modern and flexible alternative, one that also works better for drivers. From this perspective, Chauffeur for a Day wasn’t an experiment but a natural step in product development — turning an established practice into a standardized, on-demand app feature.

Chauffeur for a Day is exactly the service that should have existed already. It gives you what a personal chauffeur on payroll does, but on demand and through an app. One professional driver, one standard of conduct, following your day instead of breaking it apart.


The value is continuity and care. The chauffeur keeps your things, runs errands, manages transitions, and removes small frictions that usually steal attention. Everything is handled quietly, within Wheely’s service culture, so the passenger can focus on what actually matters that day.

The plot follows a day in the life of a busy Parisian woman. She moves between work she’s deeply involved in, time with her child, and an evening with her partner. The day is full, but not frantic. Chauffeur for a Day supports her quietly: transporting her, holding her belongings, handling transitions between places. Nothing is rushed, nothing is dramatized. By removing logistical noise, the service preserves her attention and emotional energy — so when the day turns personal, she’s fully there, not depleted.

Project owner: Anne d'Ambrosio de Gaullier. General producer: Jordan Murphy Doidge. Project management: Alexandra Rybakova, Jenya Knyazeva. Art-direction: Misha Gusev, Pavel Bocharov. Service consultant: Eve Ouaknine. Comms Design: Roman Bespalov, Anna Svarovskaya, Ksenia Turubanova.
2022. Client : Wheely
M=O=T=I=V=A=T=I=O=N / E=T=H=I=C=A=L N=O=T=E          Working with luxury as a moderate leftie exposes a strange tension. The value isn’t excess, it’s care applied at the right moment. In this project, compassion wasn’t my personal agenda; it was already embedded in the tone set by the communications team, and I responded to that.  I kept thinking about talented, highly capable people carrying serious work, responsibility, and private life at once. I imagined the daily rhythm of Renata Litvinova — film director, actress, and a gay icon for many. Wishing this level of care for her helped me stay attentive and invested. I want that care for passionate underdogs like myself, and for those born into wealth who choose to be accountable and contribute. That overlap felt honest, and worth supporting.